The River and the Fever Dream
A converted digital camera can use infrared light to reveal Texas border militarization—in the same way the armed forces once scanned for enemies from the sky.
Since 1954
A converted digital camera can use infrared light to reveal Texas border militarization—in the same way the armed forces once scanned for enemies from the sky.
Alan Pogue has spent his life documenting progressive struggle. Along the way, he captured the history of the Observer, too.
Two years after the constitutional right to abortion was eliminated, what’s left of Texans’ reproductive rights is ambiguous.
A mother who lost her daughter, and a photographer who embedded in the southwest Texas town, reflect on the Uvalde tragedy.
How Black women and men cover, decorate, and celebrate their locks to embrace their pride.
In Maverick County, losing a grant meant stretching crews to cover extra shifts and lots of territory.
Seniors, center stage!
After a terrifying near-death experience, we live to muckrake another day.
Across four generations, one family of photographers has captured the history of Texas workers.
Since 1980, migrants fleeing poverty, violence, and natural disaster have come here for refuge from an intolerant world.