Abilene, Through the Looking Glass
A monumental blown-glass installation inside a sparkling new library reflects a city—one grappling with an AI boom and an insurgent book-banner—that’s defined by its slippery cultural identity.
Since 1954
A monumental blown-glass installation inside a sparkling new library reflects a city—one grappling with an AI boom and an insurgent book-banner—that’s defined by its slippery cultural identity.
Rich Levy, the man behind the Bayou City’s prestigious reading series and the brains behind Inprint, an unusual literary nonprofit, is retiring.
"We have to have the correct individuals at the table that are helping lead these conversations. It should be taken out of politics."
In honor of the late civil rights leader, the Observer resurfaces an encounter between the reverend and Molly Ivins.
A new biography of Larry McMurtry tells the tale of a writer ever met with misreading.
All along their journey, from my hometown suburb to their winter home in Mexico, the iconic butterflies face human-made threats.
In “The Dads,” a new documentary that premiered at SXSW, men open up to each other about their hope, their fears, and their unconditional love for their children.
The Little Alsace of Texas, my once and current home, has long been more comfortable with an idealized past than with its full history or contradictory present.
A new book doesn't romanticize our state's history, but it does establish a neglected throughline of solidarity.