A San Antonio Art Show Quietly Foregrounds Migrants’ Stories
More people are displaced than ever before — nearly 69 million. The scale of that crisis is hard to grasp, but visitors to One to Another will see it in a new light.
Michael Agresta
Michael Agresta, an Austin resident, has written for Slate, the Atlantic and the Wall Street Journal.
Articles by Michael Agresta
100 Ways to Draw a Line
The edge becomes the center at the Transborder Biennial 2018 in El Paso and Ciudad Juárez.
Cody Wilson, Austin’s Edgelord Prince
A new documentary and a 2016 memoir by the 3-D-printed-gun designer reveal a vision of Austin as a paranoid libertarian mecca.
In ‘The Atomic Cafe,’ U.S. Cold War Propaganda Comes Out of the Bunkers for the Trump Era
Screening at SXSW on Saturday, the film's Cold War-era footage never feels distant — perhaps because both careless stewardship of the bomb and surreal official propaganda seem to be making a comeback.
His Pet Monsters
Trenton Doyle Hancock uses '80s kid culture and an expansive fantasy world to explore identity, racial politics and growing up fundamentalist Christian.
Houston Photo Exhibit Documents First Markers of Modern U.S.-Mexico Border
How strange, David Taylor’s camera seems to say, that this haphazard line has survived nearly 170 years as an international border, when so much else around it has changed.
Wall Flowers
Border art projects bloom in the shadow of Trump's wall.
‘Through the Repellent Fence’ Celebrates Art that Transcends Borders
In "Through the Repellent Fence," artists speak passionately of the centuries-old importance of cross-border relationships.
Adiós Utopia, Hello Texas
The first major U.S. show since 1942 of Cuban art comes to Houston.
Valeria Luiselli’s ‘Tell Me How It Ends’ Is the First Must-Read Book of the Trump Era
The Mexican novelist writes that asylum-seekers come to the U.S. not in search of the American dream, but “to wake up from the nightmare into which they were born.”