Michael Agresta
By Michael Agresta:
A Joyful El Paso Art Exhibit Imagines a World Ruled by Latinx People
The Clothes that Make the Man
Jose Villalobos’ art redresses the macho traditions of norteño culture.
Jose Villalobos’ art redresses the macho traditions of norteño culture. – by Michael Agresta June 24, 2019 On a June evening in 2018, artist Jose Villalobos stood quietly in an exhibit hall at the Museo de Arte de Ciudad Juárez, … Read More
Snakes and Ladders
In San Antonio, two artists explore hidden geometries of the city.
Living in a city can deaden our instinct for noticing environment. Caught up in our day-to-day lives, we walk — or, especially in Texas, drive — through our cities without giving much consideration to either the superstructures of urban design … Read More
At Home in the World
Houston artist Prince Varughese Thomas blurs boundaries of politics, medium and identity.
At Home in the World Houston artist Prince Varughese Thomas blurs boundaries of politics, medium and identity. – by Michael Agresta April 8, 2019 As a young kid growing up between Texas and India, Prince Varughese Thomas was at first … Read More
Ancestors in a Strange New Land
In Houston, an exhibit of vibrant, playful Egúngún costumes speaks to Nigerian tradition and migration.
Visitors to “Ara Oru Kinkin (Masquerades Mythology),” the current show by the artist Akirash at Lawndale Center for the Arts in Houston, will find themselves confronted by a wealth of visual information and very little in the way of curatorial … Read More
A New Pray-the-Gay-Away Drama Suggests Conversion is Possible (Just Not the Kind You Think)
Poignant awards-season fare, Boy Erased makes the case against the Christian “cure” for homosexuality.
What happens when an unstoppable force meets an immovable object? That, more or less, is the question asked by the new Joel Edgerton-directed film Boy Erased, which was featured at the Austin Film Festival and opens nationwide this weekend, just … Read More
A San Antonio Art Show Quietly Foregrounds Migrants’ Stories
More people are displaced than ever before — nearly 69 million. The scale of that crisis is hard to grasp, but visitors to One to Another will see it in a new light.
Ours is an era of mass displacement. At no other point in history have so many people around the world been forced to leave home. The United Nations High Commissioner for Refugees (UNHCR) now counts 68.5 million forcibly displaced people … Read More
100 Ways to Draw a Line
The edge becomes the center at the Transborder Biennial 2018 in El Paso and Ciudad Juárez.
100 Ways to Draw a Line The edge becomes the center at the Transborder Biennial 2018 in El Paso and Ciudad Juárez. Nearly 80,000 people cross the border in the El Paso-Ciudad Juárez metro region every day, for reasons ranging … Read More
Cody Wilson, Austin’s Edgelord Prince
A new documentary and a 2016 memoir by the 3-D-printed-gun designer reveal a vision of Austin as a paranoid libertarian mecca.
A new documentary and a 2016 memoir by the 3D-printed-gun designer reveal a vision of Austin as a paranoid libertarian mecca. – by Michael Agresta @magresta March 12, 2018 In 2013, 25-year-old University of Texas law student Cody Wilson traveled … Read More
In ‘The Atomic Cafe,’ U.S. Cold War Propaganda Comes Out of the Bunkers for the Trump Era
Screening at SXSW on Saturday, the film's Cold War-era footage never feels distant — perhaps because both careless stewardship of the bomb and surreal official propaganda seem to be making a comeback.
When Jayne Loader was a child growing up in 1950s and ’60s Fort Worth, she lived across the street from E.O. “Soapy” Gillam, the “bomb shelter king of North Texas.” This was the height of the Cold War, when a … Read More
