Since 1954
Each year, thousands of foster children in Texas are shuffled into little-known “treatment centers” where they are frequently neglected and abused. State officials have largely ignored allegations of wrongdoing and calls for reform.
The 300 women whose portraits are drawn on plates in “The Dinner Table” are all friends, family or acquaintances of the artist.
For 22 years, an unusual housing and support program has been quietly transforming the lives of single mothers in Houston's Third Ward.
Timely and inherently political, “HOME—So Different, So Appealing” is a commanding exploration of the ways in which home forms our identity.
