<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Texas Observer</provider_name><provider_url>https://www.texasobserver.org</provider_url><author_name>Josh Rosenblatt</author_name><author_url>https://www.texasobserver.org/author/josh-rosenblatt/</author_url><title>Making of a Myth</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="2bfgmJLPEc"&gt;&lt;a href="https://www.texasobserver.org/making-of-a-myth/"&gt;Making of a Myth&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.texasobserver.org/making-of-a-myth/embed/#?secret=2bfgmJLPEc" width="600" height="338" title="&#x201C;Making of a Myth&#x201D; &#x2014; The Texas Observer" data-secret="2bfgmJLPEc" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(c,l){"use strict";var e=!1,o=!1;if(l.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=0;o&lt;n.length;o++)n[o].style.display="none";for(o=0;o&lt;i.length;o++)if(r=i[o],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=l.createElement("a"),a=l.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,a.host===s.host)if(l.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=l.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><description>While first-time director John Wayne was shooting The Alamo in 1959, he received an uninvited guest on his set near Brackettville, Texas. It was his old friend John Ford. The filmmaker, then 66, had not only directed many of Hollywood&#x2019;s most influential Westerns; he also was responsible for spotting an unknown prop boy named Marion [&hellip;]</description><thumbnail_url>https://www.texasobserver.org/wp-content/uploads/2012/09/about-the-texas-observer.jpg</thumbnail_url><thumbnail_width>740</thumbnail_width><thumbnail_height>402</thumbnail_height></oembed>
