<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Texas Observer</provider_name><provider_url>https://www.texasobserver.org</provider_url><author_name>Jake Miller</author_name><author_url>https://www.texasobserver.org/author/jake-miller/</author_url><title>Book Review</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="QMVZkNBqEf"&gt;&lt;a href="https://www.texasobserver.org/1425-book-review-unwrapping-japanese-photography/"&gt;Book Review&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.texasobserver.org/1425-book-review-unwrapping-japanese-photography/embed/#?secret=QMVZkNBqEf" width="600" height="338" title="&#x201C;Book Review&#x201D; &#x2014; The Texas Observer" data-secret="QMVZkNBqEf" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(c,l){"use strict";var e=!1,o=!1;if(l.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=0;o&lt;n.length;o++)n[o].style.display="none";for(o=0;o&lt;i.length;o++)if(r=i[o],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=l.createElement("a"),a=l.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,a.host===s.host)if(l.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=l.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><description>Critics sometimes like to talk about unwrapping or un-packing a text or a work of art, peeling back layers of meaning and symbolism. The assumption is that the most interesting things are hidden inside. Sometimes the surface of the art, and even the packaging itself, is worth considering. That&#x2019;s one of the many subtle points [&hellip;]</description><thumbnail_url>https://www.texasobserver.org/wp-content/uploads/2012/09/about-the-texas-observer.jpg</thumbnail_url><thumbnail_width>740</thumbnail_width><thumbnail_height>402</thumbnail_height></oembed>
