Page 30


The Herb 13a “Best place to cure r what ails you” Explore our Oasis of Earthly Delights! extensive array of natural health and bodycare products comprehensive collection of herbs great gift ideas and much more! Mon.-Fri. 10-6:30 200 West Mary 444-6251 Sat. 10-5 3601 S. Congress off E. Alpine Penn Field under the water tower check our site for monthly calendar Ruin Malign it International Headquarters Come Visit us for LUNCH! In addition to our organic coffee, pizzas, empanadas, pastries and pies, we now prepare made to order sandwiches, salads, and even black bean gazpacho. Supporting The Texas Observer with every referral and transaction. You Know Me \(with a few degrees of Get real estate help from someone you know. Call me today! Larry Hurlbert, Realtor 512.431.5370 [email protected] The Kinney Company, Real Estate Services, Austin, TX his high school days in Huntsville, Texasa film nearly as shaggy and meandering as Slacker. Only this time he had a real budget and a professional cast \(which included What could have been better? Turns out anything would have been better for Linklater, who found himself not a golden boy but a victim of the harrowing Death of a Thousand Nitpicks. Studio executives sliced the director’s budget, demanded script rewrites, objected to foul language in the script, called for a less “arty” style, stole his soundtrack royalties, marketedDazedandConfusedto the wrong demographic, and generally did everything they could to undermine Linklater’s approach to making movies. Over the next decade, Linklater’s contentious relationship with the studio establishment nearly ended his career several times. Unlike Hooper and Linklater, however, the third star of Macor’s book, Robert Rodriguez, was both an artist and a businessman. He wasn’t aiming for modest festival success with his first shoestring-budget feature, El Mariachi; he had a business model in place before he ever shot a frame. Learning from those who had suffered before him, he realized that the best way to ensure no studio meddling is to become the studio yourself. In doing so, he would help drag Austin out of indie obscurity and into the mainstream. LACHE Alexander Maksik I’m trying to remember the word for coward. There’s a man there beating a woman. Naked in my window, awakened by her screams, I’m looking down on the street below. I want that word but for the life of me, but it doesn’t come. So, invisible I send my breath into the darkness, “Hey.” And there it is, the sound of my meager voice floating in the night, “Hey.” Then, as if I were brave, as if I’d sprinted my stairs, to the asphalt, barefoot, crushing his skull with bare fists he stops kicking the woman, who stops screaming, who’s lying on the ground, her oil black hair spread out behind her, a silken fan shining in the streetlight.”Quoi?” he yells back arms spread out his face a dirty bowl of milk upturned to the sky as if he’s Job addressing God. “Quoi?” He says again more quietly. I’m trying to remember the word for coward but standing in the cold frame of the open window I realize it is one of those things I simply don’t know, not a question of recollection, nothing there to recall. There’s just the emptiness of ignorance. And then there’s the woman running barefoot up the street her high heels in her left hand the man swearing gently at his feet while I stand alone in the dark without the word for coward. Alexander Maksik is a Truman Capote fellow at the Iowa Writer’s Workshop. APRIL 30, 2010 In some ways, Robert Rodriguez is the apotheosis of the whole Austin DIY film aesthetic. And as Macor sees it, ever since his arrival, the city’s film scene has had to balance regional integrity and industry powerbrokering. In the world of filmmaking, the name of the game is freedom, power and money. And as Rodriguez proved, the only way to mix art and commerce is to make sure you’re in control of both. LI WATCH THE TRAILER of The CI Texas Chainsaw Massacre at WATCH ALISON MACOR talk Cl about a pivotal scene in Dazed and Confused at