ustxtxb_obs_2005_04_01_50_00017-00000_000.pdf

You can make a difference in the world Be Rat mlion i so Domini Social Equity Fund offers growth opportunities through a portfolio of stocks selected for their social and environmental performance. Domini Social Bond Fund provides diversification while supporting homeowners and small business owners in struggling communities. Domini Money Market Account offers safety and liquidity through FDICinsured deposits that help promote community development. You should consider the Domini Funds’ investment objectives, risks, charges and expenses carefully before investing. Please obtain a copy of the Funds’ current prospectus for more complete information on these and other topics by calling 1-800-530-5321 or online at wwwdomini.com . Please read it carefully before investing or sending money. tislt mnincrirrnitriicurfir trr.ra3li l’at -ftetz.siao4wan SOCIAL INVESTMENTS rite Way Yore Invest Matters’ The Domini Social Equity Fund and the Domini Social Bond Fund are subject to market risks and are not insured. You may lose money. The Domini Social Bond Fund’s community development investments may be unrated and carry greater risks than the Fund’s other investments. The Domini Social Bond Fund currently holds a large percentage of it portfolio in mortgage-backed securities. During periods of falling interest rates these securities may prepay the principal due, which may lower the Fund’s return by causing it to reinvest at lower interest rates. DSIL Investment Services LLC , tlintt Golder7 4 Tfluirs thr 1TE 54:: 1 5 TRADING COMPANY FOLK ART & OTHER TREASURES FROM AROUND THE WORLD 209 CONGRESS AVE AUSTIN 512/479-8377 OPEN DAILY 10-6, FREE PARKING BEHIND THE STORE www.tesoros.com movement that has been growing in Bolivia for more than a decade, preferring to let the obvious, painful discrepancies in income and standard of living speak to the issue. She either misses or chooses to avoid the larger economic questionsthe role of the World Bank and the IMF, as well as connections between the consultants, the candidates, and the corporations. Instead she leaves us with Rosner’s big-picture questions at the end of the film: “Can you export your brand of democracy to such a divided country? If democracy can’t bring benefits to the average person, you better find ways to see that it build benefits pretty soon.” But she also leaves us with something else. It’s just a moment. Not an electric moment, but a small plicated historical reasonsa war with Chile in the late 19th century left Bolivia without a coastlinethe project was not popular. When a coalition of unions, indigenous groups, and coca growers take to the streets and shut down the country, Goni hides out in La Paz and calls out the troops. During the “Gas Wars,” at least 60 protestors lose their lives. In October 2003, just 14 months into his presidency, he resigns and flees to the United States. We listen to him as he zips by familiar landmarks”I haven’t driven a car in 15 years”and watch him sitting on a bench, looking out at the Washington Monument. Boynton begins with a powerful sequence of a riot in La Paz. As shots ring out and ambulance sirens screech, the camera zooms in on the body of a young man slumped against the wall, his shoes surrounded by a pool of his own blood. “So, what went wrong?” we hear Boyton ask, as she begins to work her way back in time, trying to tell the story of the Goni campaign as “a political thriller,” while she looks for the bigpicture implications. Boynton moves seamlessly from Washington, D.C. to La Paz, from tables set with fine crystal goblets to desolate, dusty roads in the altiplano, with an eye for detail and an ear for dialogue. \(Both Goni and his vice-presidential candidate, Carlos Mesa, are former filmmakShe is there when Goni lights a cigar and a consultant advises him on how to use the press to start a negative campaign against one of his opponents. Her microphones capture the conversation between the American advertising consultant and his Bolivian counterpart during the filming of a campaign spot in a shanty-town sewing factory. “They seem to be a little shy,” the gringo says of the Indian workers. “Their eyes are down. Try to get them to look at his eyes when they’re talking.” The film is beautifully crafted and superbly edited. But it does have some serious flaws. Boynton never seems to have a grasp on the indigenous rights APRIL 1, 2005 THE TEXAS OBSERVER 17