Life Or Nothing Like It
by Josh Rosenblatt / Posted on | No CommentsByington’s latest employs a rigid devotion to deadpan, keeping the story’s humanity at a safe and manageable distance, locked behind walls of dispassion.
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Byington’s latest employs a rigid devotion to deadpan, keeping the story’s humanity at a safe and manageable distance, locked behind walls of dispassion.
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Maybe it’s best after all that Malick wait years between movies.
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Schiele painted “Portrait of Wally” in 1912. In it, the artist’s mistress and muse, Valerie “Wally” Neuzil, is clothed nearly to her chin in a garment resembling a long-sleeve puritan gown, complete with a white Bertha collar.
Read full postAfter the one-two punch of The French Connection and The Exorcist in the early 1970s, William Friedkin was on top of the world. The [...]
Read full postFor nearly 60 years Albert Maysles has been the face of the Direct Cinema movement, whose followers believe that non-interventionist observation is the key [...]
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