Back of the Book

kentuckyclubBenjamin Alire Saenz’s story collection Everything Begins and Ends at the Kentucky Club, published by El Paso’s Cinco Puntos Press, has won the 2013 PEN/Faulkner Award for fiction. Read the Observer’s review of the book here.

Among the four runners-up for the prize was Amelia Gray’s THREATS, another book we reviewed at the Observer.

Dallas novelist Ben Fountain’s Billy Lynn’s Long Halftime Walk has won the National Book Critics Circle Award for fiction. Steven Kellman reviewed the book in the Observer’s 2012 Books Issue, a version of which you can read here.

The NBCC Nonfiction award went to Robert Caro’s The Passage of Power, which former Observer managing editor Susan Smith-Richardson touched on in the same issue.

OleanderGirl_HRcoverOn March 19, Free Press published Chitra Banerjee Divakaruni’s new novel Oleander Girl. Divakaruni teaches in the Creative Writing department at the University of Houston. Anis Shivani reviewed her previous novel, One Amazing Thing, for the Observer.

Kevin Smokler, UT-Austin grad and member of the SXSW advisory board, recently published Practical Classics: 50 Reasons to Reread 50 Books You Haven’t Touched Since High School. Described as a “refreshing and necessary call to reading,” the book offers fresh perspectives on classics that we once considered mere homework.

Robert Flynn’s Lawful Abuse is now available in paperback from San Antonio’s Wings Press. The book is labeled “A powerful indictment of America’s abandonment of human beings, and children in particular, in favor of corporations.”

On March 26, Penguin will publish A Map of Tulsa, Benjamin Lytal’s debut novel. The book is described as “The story of Jim Praley and Adrienne Booker: from the summer they fall in love amidst the art and music scene of late 90s Tulsa, to Jim’s bracing, unexpected homecoming years later.” Lytal has late-March appearances scheduled in Austin and Houston.

tyer-opportunitymontana-chapman(Shameless plug alert: March 26 is also the publication date of Observer managing editor Brad Tyer’s first book—Opportunity, Montana: Big Copper, Bad Water, and the Burial of an American Landscape—on Beacon Press. Publishers Weekly has some kind prepublication words about the book here.)

And finally, UT-Austin Michener Center fellow Domenica Ruta’s memoir With Or Without You, published late last month, has been earning rave reviews. The Boston Globe calls the book “bracingly funny and poignant,” and BUST calls it “valiant and heartbreaking.” Read a profile of the writer here.

 

 

 

 

 

Michelle Shocked
Michelle Shocked

If you’ve been following Facebook or Twitter these last few days, you’ve surely been innundated with the flood of WTF postings surrounding Texas songstress Michelle Shocked’s recent San Francisco concert, which melted down in confusion and recrimination after Shocked spent her encore on an incoherent rant regarding gay marriage and California’s Proposition 8, which would ban it. Lots of Shocked fans came away from the debacle under the impression that Shocked—a controversially born-again East Texas anarchist folkie (who now lives in Los Angeles)—had crossed to the anti-gay dark side. (You can read a relatively comprehensive Yahoo News summary of the concert and aftermath here.)

Given Shocked’s social-justice background, a lot of fans were understandably confused about the (apparent) change of heart, at least as it was parsed in the Twittersphere.

And rightly so, apparently.

Shocked, who doesn’t work with a publicist, has today released an open letter addressing the concert and controversy through an old friend in Austin, who made it available to the Observer. The letter is reprinted in full below:

AN OPEN LETTER FROM MICHELLE SHOCKED

I do not, nor have I ever, said or believed that God hates homosexuals (or anyone else). I said that some of His followers believe that. I believe intolerance comes from fear, and these folks are genuinely scared. When I said “Twitter that Michelle Shocked says “God hates faggots,” I was predicting the absurd way my description of, my apology for, the intolerant would no doubt be misinterpreted. The show was all music, and the audience tweets said they enjoyed it. The commentary came about ten minutes later, in the encore.

And to those fans who are disappointed by what they’ve heard or think I said, I’m very sorry: I don’t always express myself as clearly as I should. But don’t believe everything you read on facebook or twitter. My view of homosexualty has changed not one iota. I judge not. And my statement equating repeal of Prop 8 with the coming of the End Times was neither literal nor ironic: it was a description of how some folks – not me – feel about gay marriage.

The show, and the rant, was spontaneous. As for those applauding my so-called stance that “God Hates Faggots,” I say they should be met with mercy, not hate. And I hope that what remains of my audience will meet that intolerance with understanding, even of those who might hate them.

Folks wonder about my sexuality, but denying being gay is like saying I never beat my husband. My sexuality is not at issue. What is being questioned is my support for the LGBT community, and that has never wavered. Music and activism have always been part of my work and my journey, which I hope and intend to continue. I’d like to say this was a publicity stunt, but I’m really not that clever, and I’m definitely not that cynical.

But I am damn sorry. If I could repeat the evening, I would make a clearer distinction between a set of beliefs I abhor, and my human sympathy for the folks who hold them. I say this not because I want to look better. I have no wish to hide my faults, and  - clearly – I couldn’t if I tried.

With love, Michelle

FOLLOW-UP STATEMENT:

I believe in a God who loves everyone, and my faith tells me to do my best to also love everyone. Everyone: gay or straight, stridently gay, self-righteously faithful; left or right, far left, far right; good, bad, or indifferent. That’s the law: everyone.

I may disagree with someone’s most fervently held belief, but I will not hate them. And in this controversy, that means speaking for Christians with opinions I in no way share about homosexuality. Will I endorse them? Never.  Will I disavow them? Never.

I stand accused of forsaking the LGBT community for a Christianity which is – hear me now – anathema to my understanding of faith. I will no doubt take future flack for saying so. I’m accused of believing that “God hates fags” and that the repeal of Prop 8 will usher in the End Times. Well, if I caused such an absurdity, I am damn sorry. To be clear: I am not now, nor have I ever been, a member of any so-called faith preaching intolerance of anyone. Again, anyone: straight or gay, believers or not: that’s the law.

That means upholding my punk rock values in the most evangelical enclaves and, in this case, speaking up for the most fearful of fundamentalists in, well, a San Francisco music hall full of Michelle Shocked fans.

As an artist in this time of unbearable culture wars, I understand: this means trouble, and this is neither the first nor last time trouble has come my way. And that’s fine by me.

I know the fear many in the evangelical community feel about homosexual marriage, as I understand the fear many in the gay community feel toward the self-appointed faithful. I have and will continue speaking to both. Everything else – facebook, twitter, whatever – is commentary.

 

 

As Wright is quick to point out, theology doesn’t have to make sense; there are aspects of any religion that can’t survive logical scrutiny. But even by that tolerant standard, Scientology is apt to strain credulity.

[...]

Wright—Austin resident and staff writer for The New Yorker—displays touching generosity with the absurdities of faith, and carefully balances that reserve with a desire to expose Scientology’s culture of exploitation.

going_clear_book_cover_-_p_2013So says Observer contributor Robert Leleux in his new review of Wright’s Going Clear: Scientology, Hollywood, and the Prison of Belief. READ THE WHOLE REVIEW HERE.

Meanwhile, The New York Times has weighed in on Wright’s book with a Scientology takedown masquerading as a book review.

And the Washington Post warns: “’Judge not that ye not be judged,’ Jesus said, but the case Wright builds calls for a jury…” READ THE WASHPO REVIEW HERE.

For a longer though no more dispassionate view, CHECK OUT THE UK GUARDIAN’S REVIEW, in which veteran critic David Thompson writes:

[Wright's] book is admirably judicious and thoroughly researched (within the limits of secrecy or paranoia imposed by the church), but I often had the feeling that Wright himself was uncertain whether this was fit material for a sober book of non-fiction, or would he collapse in fits of helpless laughter and tears at the stuff he was obliged to report?

 

 

 

Lady Bird’s Words

LadyBirdJohnson_JacketArt-312x475In case you missed it in the magazine’s February issue, here’s a pointer to Observer contributor Robert Leleux’s review of Lady Bird Johnson: An Oral History, by Michael L. Gillette.

The blog of Oxford University Press, which published the book in November of last year, just posted an interesting online interview with Gillette, executive director of Humanities Texas and former director of the LBJ Library’s Oral History Program, in which he talks about the making of the book.

For more, mark the calendar for Tuesday, April 9, at 6 p.m., when Gillette kicks off a lecture series on influential Texas women with an inaugural installment titled “Conversations with Lady Bird Johnson” at the Bullock Texas State History Museum in Austin.

 

 

 

 

 

 

A Texas Tongue Untied

San Antonio native (and recent Texas Observer contributor) Laurie Ann Guerrero has just published her second book of poetry, A Tongue in the Mouth of the Dying, on University of Notre Dame Press. The book—her first full-length outing after the 2008 chapbook Babies Under the Skin—won the 2012 Andrés Montoya Poetry Prize.

Check out A Tongue‘s promo trailer:

Guerrero is an editor at Austin’s Dos Gatos Press and an instructor at the University of the Incarnate Word in San Antonio and the MFA creative writing program at the University of Texas-El Paso.

A Tongue in the Mouth of the Dying is available in paperback or as an e-book from the University of Notre Dame Press, fine bookstores, and the usual assortment of online retailers.